The article “Art Friend, Art Critic, Native Journalist: Hidden History of 19th Century Painting” from MPR News uncovers the intriguing backstory of a 19th-century painting titled “The Indian’s Vespers” by Junius Stearns. This artwork, part of the Minnesota Historical Society’s collection exhibited at Minnesota Marine Art Museum, depicts a Native American man in a contemplative pose by a campfire. However, the true significance of the painting lies in its connection to a Native American journalist, Peter Wilson, who critiqued it.
Wilson, a Tuscarora writer and advocate, wrote a scathing review of Stearns’ work in 1847, condemning its stereotypical portrayal of Native Americans. Wilson argued that the painting misrepresented Native American life and spirituality, perpetuating harmful stereotypes. He pointed out that the image of the “stoic Indian” did not capture the complexity and humanity of Native peoples, stating, “It is high time the public mind should be disabused of this prejudice.”
Wilson’s critique is considered one of the earliest recorded instances of Native American art criticism. His response highlighted the broader issues of cultural misrepresentation and the importance of Native voices in the arts. The article emphasizes that Wilson’s perspective provides valuable insight into how Native Americans of the time viewed such depictions, challenging the dominant narratives of the 19th century.
The discovery of Wilson’s critique adds a significant layer to the understanding of “The Indian’s Vespers,” transforming it from a mere historical artifact to a symbol of early Native American advocacy and resistance. The Minnesota Historical Society’s efforts to uncover and share this hidden history underscore the importance of revisiting and reinterpreting historical artworks to include diverse perspectives.
orginal post on Minnesota Public Radio